I wanted so much from this film and instead I am an empty husk. Welcome to The Three Dogateers Save Christmas!
Are you ready for the same story you’ve heard a billion times before? Then I’ll begin.
This is a story that on face value you’d equate with the Charles Dickens classic but I disagree. The original Dickens Carol is a ghost story which leads to the transformation of an old miser. A Christmas Carol: The Musical starts with me channel-hopping, saying “is that Jane Krakowski?” and going wild from there.
I’ll be honest guys: I didn’t finish watching Don’t Look Under the Bed. I made it halfway through and thought, this is enough. I’ve looked under the bed and there’s just no reason to continuing the film hiding under there.
“Are you watching a crap film again?”
“Yep, it’s called All Hallows Eve and the protagonist is called Eve Hallows”
Welcome back everyone. Join me if you dare as we embark once more on the best and worst of Halloween flicks…
You know you’re in too deep in the world of crap seasonal movies when you find yourself A) watching your third film starring Mike “the Miz” Mizanin, and B) considering that the Miz’s acting has really improved a lot since Christmas Bounty. I’m just making myself cosy down the rabbit hole.
Santa Who? has one of my favourite opening sequences in all seasonal moviedom. Let me try to set the scene for you.
I hate it when a film preferences dull if competent romance over presposterous dialogue and wooden leads.
This has to be one of my all-time favourite bad films, a total pick me up for if you’re feeling bad-crappy and need something good-crappy. How do you know a film is the one? When it opens on teenagers in the ’80s complaining about boys not wanting to have sex, to the soundtrack of the All I Want for Christmas rip-off song, “Santa Bring a Boyfriend to Me”.
DING DING DING DING, WE HAVE A WINNER!